Earlier this year I was having a drink in a local Fitzroy bar when a brochure near the door caught my eye. There were two reasons for this 1. It was designed well, and being a designer I am apt to notice these things, but more importantly 2. it strongly featured a photograph of one of my paste ups.
For about half a second I felt flattered. Flattered changed to angered pretty fast and I couldn't understand why a designer would think it was OK to use an artists work like this. I understood that the paste up at the centre of this was in the neighbourhood of the apartments the brochure was advertising, but the work was so closely cropped that the local area had become irrelevant.
My work was pretty much the selling point here and I had no say in it
whatsoever. It was something I would have never agreed to represent
with my image.
Having not been in a situation like
this before I asked around about what rights I had as an artist who puts
their work on the street. The views on this were mixed and I sat in
limbo for a while wondering if it was worth doing something about.
It wasn't until this article about copyright and street art was published by Invurt.com that I decided I was DEFINITELY within my rights to do something about the misuse of my work.
I
decided to write a letter of demand to the developers of the apartments
- asking that all images of my work be removed from their website and that
I be compensated for the misuse of my image. I contacted Arts Law
to make sure everything I had in the letter was correct and in order.
They were extremely helpful - making sure I had worded everything
correctly, that the sum of money I was asking for was within reason etc.
I sent the letter off and within a week I had a
call from the design agency responsible. We talked at length about the
situation. From their perspective they were trying to capture the
vibrancy of the area (the inside of the fold out brochure featured a map
and many images of the local area) and assumed that any work in a
public space would be OK to use in this way. In actual fact, this is
only true of permanent sculptures. It doesn't matter if the work is
legal or illegal, signed or unsigned, it is an infringement of copyright
to use images of an artists work for financial gain.
The design agency and I came to an agreement, I was compensated and even though it took quite a bit of my time to chase this up, I felt it was worth it.
I
would encourage any artist who has had their work used without their
permission to take a similar approach - stand up for your work and spread the word that this is not OK - from my experience most people are just not aware that it's wrong. (Except surely those people selling photos of street art at markets and ripping off artist's work and selling it on Redbubble, but that's a whole other story and these cases should definitely be pursued!)
And for those people wishing to use images of street art in their advertising - we are a pretty small community here in Melbourne and
it's really not that hard to find out who artists are - local councils
and local galleries are a good starting point for identifying and
getting in touch with an artist whose image you may want to use.
Showing posts with label melbourne. Show all posts
Showing posts with label melbourne. Show all posts
Sunday, June 29, 2014
Sunday, October 27, 2013
Innocence of the Apocalypse
A couple of years ago I saw the movie "The Road", a post a apocalyptic story about a boy and his father and their search for a better place in a world of poverty, depression, cannibalism and perpetual danger.
I felt moved by the child's character and the responsibility he was forced to take on in such a world - the only world he had ever known. Despite his maturity and his responsibilities he couldn't help but still be a child from time to time. This struck a cord with me and I was moved by his innocence.
My exploration of the theme of children in a post apocalyptic world began with a large hand drawn paste up, pasted in Collingwood in in 2012.
I then followed this with another large scale, hand drawn paste up in Brunswick - this time with more of an installation element.
After the large paste ups, I decided to focus on a smaller illustration so I could add more detail, this became the first illustration of the series as well as a very large paste up (photocopied this time and not hand drawn, in Toronto, Canada as part of Art de la Roo ).
After Art de la Roo, I began thinking more about this theme in relation to a space as opposed to being on the street. I was discussing this with projection artist Yandell Walton when we decided it would be a great theme to collaborate on. As artists our work is completely different, but we both have a strong interest in space as part of our work and this was the binding element for our collaboration.
I began working on 4 illustrations on paper which then became the 'static' children of our post apocalyptic world.
Innocence of the Apocalypse went from illustrative paste ups to a completely immersive installation based collaboration. Projection, sound, installation, performance and illustration all came together in an empty building in Collingwood in September 2013.
Supported by the City of Yarra, Curvy and Kennards Hire and part of Melbourne Fringe the event was experience by approximately 350 people over 3 nights. Below is a beautifully shot video by Jim Arneman and detailed photographic documentation by Lauren Dunn
More at www.innocenceoftheapocalypse.com
Innocence Of The Apocalypse by Yandell Walton and I & The Others from Yandell Walton on Vimeo.
I felt moved by the child's character and the responsibility he was forced to take on in such a world - the only world he had ever known. Despite his maturity and his responsibilities he couldn't help but still be a child from time to time. This struck a cord with me and I was moved by his innocence.
My exploration of the theme of children in a post apocalyptic world began with a large hand drawn paste up, pasted in Collingwood in in 2012.
I then followed this with another large scale, hand drawn paste up in Brunswick - this time with more of an installation element.
After the large paste ups, I decided to focus on a smaller illustration so I could add more detail, this became the first illustration of the series as well as a very large paste up (photocopied this time and not hand drawn, in Toronto, Canada as part of Art de la Roo ).
After Art de la Roo, I began thinking more about this theme in relation to a space as opposed to being on the street. I was discussing this with projection artist Yandell Walton when we decided it would be a great theme to collaborate on. As artists our work is completely different, but we both have a strong interest in space as part of our work and this was the binding element for our collaboration.
I began working on 4 illustrations on paper which then became the 'static' children of our post apocalyptic world.
Innocence of the Apocalypse went from illustrative paste ups to a completely immersive installation based collaboration. Projection, sound, installation, performance and illustration all came together in an empty building in Collingwood in September 2013.
Supported by the City of Yarra, Curvy and Kennards Hire and part of Melbourne Fringe the event was experience by approximately 350 people over 3 nights. Below is a beautifully shot video by Jim Arneman and detailed photographic documentation by Lauren Dunn
More at www.innocenceoftheapocalypse.com
Innocence Of The Apocalypse by Yandell Walton and I & The Others from Yandell Walton on Vimeo.
Friday, May 17, 2013
Kate
Fan art is not usually my thing but when I saw the callout for Artboy Gallery's Ladies Night show, celebrating the women of pop culture I thought it would be a good excuse to see if I could get the likeness of someone spot on. Kate Moss was a fresh faced up and coming model when I was in my teens and I wanted to reference the perceived innocence of her youth at the start of her career.
It was not as much difficult as it was time consuming, most of the illustration is created with tiny ink dots. The hair was a new challenge, but the hardest part was getting the shading of the body covered with a .03 nib!
Ladies Night opens at Artboy on Friday the 23rd of May at 6pm, 99 Greville St Prahran.

Paper Crown
I've been enjoying playing with this illustration to create varied paste ups, might be time for a new one soon...
Monday, March 19, 2012
From the inside out
Last year a good friend of mine came to me with a challenge - to create a piece in the front window of her home (which was originally a shopfront) that would block out the public from seeing into her living room, but not so much block the light.
After some contemplation and a bit of research I decided to do a paste up from the inside which meant layering in reverse. My mate Jim came along and documented the process and it went a little something like this
151 Darebin Rd Paste Up from James Arneman on Vimeo.
The very talented All India Radio supplied the beautiful soundtrack.
After some contemplation and a bit of research I decided to do a paste up from the inside which meant layering in reverse. My mate Jim came along and documented the process and it went a little something like this
151 Darebin Rd Paste Up from James Arneman on Vimeo.
The very talented All India Radio supplied the beautiful soundtrack.
Labels:
birds,
city,
fox,
installation,
melbourne,
paste-up,
Thornbury,
trees,
video clip,
window
Wednesday, February 22, 2012
Getting bigger...
Here are some snaps of my latest paste up - the biggest I've done on the street so far...

and it was a bit of a challenge...
so she's a bit wrinkly,
but I really enjoyed working on such a large scale...
and with multi layers.
I've been wanting to do something on the old brewery in Collingwood for a while -
so many layers of art and SUCH a beautiful old building, so it was nice to finally get there and add a paste up to the mix.
Sunday, December 18, 2011
Pencil fetish...
It started many years ago and I didn't realise until quite recently that I have a bit of a thing for pencils, but the 'thing' is that they need to be found. I have subconsciously been holding onto found pencils that I have picked up here and there for as long as I can remember. Now that it has become a conscious thing I've decided to document it. The furthest back I can knowingly trace my current collection to is 2005, Israel, so here it begins...
WHEN: April 2005
WHERE: Negev Desert, Israel
WHAT: HB
WHEN: October 2010
WHERE: St Vincent's Hospital HDU, Melbourne
WHAT: 2B
WHEN: June 2011
WHERE: My mailbox, Fitzroy
WHAT: 2H
WHEN: October 2011
WHERE: PLNE, The Parlour, Preston
WHAT: 2B (made from paper, not wood!)
WHEN: November 2011
WHERE: Greeves St., Fitzroy
WHAT: coloured pencil - red
WHEN: November 2011
WHERE: Flinders Lane, Melbourne
WHAT: HB (run over only a few times...)
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